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X-WR-CALNAME;VALUE=TEXT:Seoul, Dislocation, and the Consumption of the Korean Mobile Nation through (Food) Media: From bang 房 to bang(song) 放(送)
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SUMMARY:Seoul, Dislocation, and the Consumption of the Korean Mobile Nation through (Food) Media: From bang 房 to bang(song) 放(送)
DESCRIPTION:<p><em>Korea Colloquium</em><br><em><span>&nbsp;</span></em></p><drupal-media alt="KI 2/16" data-entity-type="media" data-entity-uuid="4717c312-5811-49d4-8e8c-5956af4bc585" data-view-mode="hwp_medium">&nbsp;</drupal-media><p><strong>Ellie Choi</strong><br>Visiting Assistant Professor of Korean Culture and Society in the East Asian Studies Department at Brown University</p><p>Her current research interests include the Seoul city, colonial Korea and Pyongyang, spatiality, transnational food media, cyberspace, and dislocation.&nbsp;&nbsp;She is the author of <a>“Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media” </a>(<em>Journal of Cinema and Media Studies </em>62.3&nbsp;May 2023), “In the Shadow&nbsp;of Nation and Empire: North(west)ern&nbsp;(西北人)&nbsp;Writers in Colonial Seoul”<em>&nbsp;(Routledge,&nbsp;</em>2020), and “Forgotten Memories of Modernity: Yi Kwangsu’s&nbsp;<em>The Heartless&nbsp;</em>and New Perspectives in Colonial Alterity,”&nbsp;(<em>The Journal of Asian Studies</em>, August 2018).</p><p>Chaired by&nbsp;<strong>Si Nae Park</strong>, Associate Professor of East Asian Languages and Civilizations, Harvard University</p><p>&nbsp;</p><p><strong>Abstract:</strong></p><p><span>A hyper-focused developmentalism from the Park Chung Hee era (1961-1979) onward in South Korea gave rise to the now (in)famous “Miracle on the Han,” which eventually linked Seoul to global capitalist networks.&nbsp; It forged the cosmopolitan expanse of contemporary Seoul, a megapolis of glittering lights, kaleidoscopic signboards, and towering apartment complexes (</span><em><span>ap’at’u tanji</span></em><span>).&nbsp; Topographies of the city and country began to emerge in the Korean cinematographic imagination from the 1990’s as reactions to Seoul’s hyper-modernity. &nbsp;Depictions of resting in an idyllic countryside, or in rooms (</span><em><span>bangs</span></em><span>) hidden </span><em><span>within</span></em><span> the city often portray eating, indexing a global media trend linking identity to food, which comes from the earth or </span><em><span>terroir</span></em><span>. Today, all media (television, film, and digital-born media) are streamed into tablets and smart phones, bypassing stationary devices and old boundaries. These streamed images affect virtual-togetherness in a Korean “mobile nation,” an online community of domestic and international viewers consuming “Korea(-n food)” together, </span><em><span>interstitially</span></em><span>. Evocative foodscapes conjure feelings of belonging as consumers engage in timed chats and upload content.</span></p><p>&nbsp;</p><p>***<br>To attend this online event, please register <a href="https://harvard.zoom.us/meeting/register/tJMkc-iuqj8iHdMb3Kiz1q49Th3yFES5Hkkw">here</a>.</p><p><em>Generously supported by the Young Chul Min Memorial Fund at the Korea Institute, Harvard University</em></p>
LOCATION:Thomas Chan-Soo Kang Room (S050), CGIS South Building, 1730 Cambridge Street, Cambridge, MA 02138
STATUS:CONFIRMED
DTSTART:20230216T213000Z
DTEND:20230216T230000Z
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