Announcing the 2019-20 Soon Young Kim Postdoctoral Fellow in Korean Studies at the Korea Institute, Harvard, Dr. Douglas Gabriel

April 5, 2019
Image of SYK Post Doc, Douglas Gabriel, for 2019-20

The Korea Institute is pleased to announce the Soon Young Kim Postdoctoral Fellow in Korean Studies for academic year 2019–20, Dr. Douglas Gabriel.

Douglas received his Ph.D. in Art History from Northwestern University in June 2019. His dissertation, Over the Mountain: Realism Towards Reunification in Cold War Korea, 1980–1994, examines connections between the visual art of the minjung democratization movement in South Korea and the work of state-sponsored artists in North Korea. During the late Cold War period, he demonstrates, artists on both sides of the peninsula employed various modes of realism in order to advance the project of reunification through aesthetics. These artists envisioned a reunited Korea founded on three primary thematic supports: student activism, socialist collectivism, and nativist iconography. Collapsing art historical distinctions between propaganda and politically engaged art directed against capitalism, they approached the issue of reunification in more dynamic ways than the two Korean governments, which remained preoccupied with superficial spectacles of national homogeneity.

In addition to completing a manuscript based on his dissertation research, Douglas looks forward to continuing work on his second book, The Last Pioneers: Communist Youth Culture and Contemporaneity in North Korean Art, 1945–2011. In this project he explores how North Korean artists mobilized visual representations of youth in an effort to grapple with the DPRK’s precarious standing vis-à-vis the international community at historical turning points such as Soviet de-Stalinization in the 1950s, and the fall of communism in Eastern Europe in the late 1980s and early 1990s. The book challenges perceptions of North Korea as chronically out of time with the rest of the world. It argues that the seemingly anachronistic appearance of North Korea’s youth culture yields insights on the lingering political anxieties and ideologies that underpin conceptions of what it means to be contemporary.

Douglas’s research on North and South Korean art and architecture has appeared in the Journal of Korean Studies and Hyŏndae misulsa yŏngu [Korean Journal of Contemporary Art History].